I have been meaning to update the blog for a while now… In the same way as life is made of ups and downs, my levels of motivation and inspiration have this way of taking rollercoaster rides, creating severe inconsistency. While listening to the album I am about to write about today, I felt a desire to share. Again. At last. Add a friendly but firm virtual kick in the ass (thanks Keisha ;)) and you get a blog post. Hooray!
While this album is not “recent” by any musical industry standard (which I couldn’t care less about), it is new to my ears and probably many of yours. Hence its presence on the blog in my regular “Newness for your ears” category. Released in 2009, Chayé Kow has this type of timeless sound that makes it enjoyable from the day of its release till… infinity? I can’t vouch for that just now, but I can say that 5 years after it came out, it pleases my ears and that is all that matters to me. I actually first heard about French singer Érik several months before he finally released the album and it was beautiful to witness his journey from new, young artist with an innovative sound to well-known personality in the West Indies (he is hailing from the beautiful island of Guadeloupe) and mainland France. The first songs I heard, sometimes accompanied with beautiful videos, are present on Chayé Kow, making the album slightly familiar at first listen. While a couple of those tracks (On bel jouné and Si ou pa la) remain my favourites, all the ones I discovered were pleasant surprises and made my ears and my soul happy. Overall, the project is a comprehensive introduction to Érik’s universe and a lovely musical journey into his various influences. Singing both in Kréyol and in French, the young man tells us about love, loss and growth, among other topics. In addition to his extremely appealing voice and well-written, heartfelt lyrics, the other strong point of the album is undoubtedly the music. From delicate strings to uplifting percussions and compelling bass and piano, all the instruments appeal to my ears in various ways and each song creates a different atmosphere, allowing me to experience a wide range of feelings.
Parler de tout ça, specifically, is an emotional tale about the struggles you can encounter in a relationship and, while I didn’t experience anything similar myself, I can’t help but be touched by the quality of Érik’s words and delivery. Another favourite, the closing track, Viré tombé, is an hypnotic number that deeply touches me and entices me to vibrate to the rhythm of the percussions. Quite a wonderful way to end this listening experience and leave listeners enthralled!
As a conclusion to this short presentation, I would like to say that Chayé Kow is one of those albums that seduce me as soon as the first notes of the first song are heard and it will most definitely be listened to on a regular basis. In case you didn’t listen to it when it was released, as was the case for me, don’t fret: music like this is a gift that you receive whenever you are ready. I know I was and it came into my life at the perfect time.
PS. His new album, École créole, was released last year. I have yet to listen to it but I will most probably keep you updated once I do.
Now that you know a little bit more about Érik and Chayé Kow, I invite you to discover the whole album on iTunes (or other various digital music stores). If by any chance you still need convincing, watch the two videos below, for Si ou pa la and Chayé kow, very different but equally beautiful tracks that give you an idea of the variety of sounds and atmospheres you can find on the album. Enjoy and please share!